Jana Nayagam is not just another film in Thalapathy Vijay’s illustrious career – it stands as a symbolic farewell, a full-circle moment for a star who ruled Tamil cinema for decades. Marketed and perceived as Vijay’s last movie before his full-time political journey, Jana Nayagam carries an emotional weight that goes far beyond box office numbers or opening-day celebrations.

More Than a Movie – A Statement

The title Jana Nayagam itself speaks volumes. Translating to “Leader of the People, it reflects the image Vijay has carefully built over the years—both on screen and off screen. From portraying socially conscious roles to subtly voicing issues of governance, corruption, and inequality, Vijay’s cinema has long echoed themes that resonate with the common man.

This film feels less like fiction and more like a statement of intent.

Vijay the Actor, Vijay the Icon

Over the years, Vijay evolved from a romantic hero to a mass entertainer and eventually into a symbol of hope for many. Jana Nayagam is expected to capture this evolution, presenting a protagonist who listens, leads, and stands for the people.

Rather than loud heroism, the film leans into measured intensity, restraint, and conviction – qualities that mirror Vijay’s real-life transformation in recent years.

Politics and Cinema – The Inevitable Convergence

Tamil cinema has always shared a deep relationship with politics, and Vijay’s journey naturally fits into this legacy. Jana Nayagam appears to blur the lines between cinema and reality, making audiences reflect on leadership, responsibility, and public trust.

For fans, the film feels like:

• A cinematic goodbye 
• A political hello

Songs That Echo the Voice of the People

The music of Jana Nayagam is sharp, intentional, and deeply symbolic. With just four songs, the album avoids excess and focuses on impact, each track serving a clear narrative and emotional purpose. This is not an album designed for noise, but for meaning.

1. Thalapathy Kacheri (4:47)

Lyricist: Arivu
Vocals: Vijay, Anirudh Ravichander, Arivu

This is the film’s defining mass anthem. Raw, rooted, and unapologetically powerful, Thalapathy Kacheri blends street poetry with commanding beats. Arivu’s lyrics bring political sharpness and social consciousness, while Vijay’s voice adds authenticity, blurring the line between the actor and the leader.

The song doesn’t glorify power; it questions it, celebrates the people, and asserts accountability. A guaranteed theatrical eruption, yet layered enough to spark conversation.

2. Oru Pere Varalaaru (3:55)

Lyricist: Vivek
Vocals: Vishal Mishra, Anirudh Ravichander

Translating roughly to “A Name Becomes History, this song is the ideological heart of the album. Poetic and reflective, it speaks about legacy – not the kind written in books, but the kind etched in people’s lives.

With restrained orchestration and emotionally rich vocals, the song feels almost philosophical. Vivek’s lyrics elevate it into a meditation on leadership, sacrifice, and the cost of standing tall.

3. Chella Magale (3:52)

Lyricist: Vivek
Vocals: Vijay

The most intimate track in the album. Chella Magale reveals Vijay in a tender, vulnerable space far removed from the mass image. Sung by Vijay himself, the song feels personal and sincere, like a quiet conversation rather than a performance.

Emotionally rooted, this melody explores care, responsibility, and emotional inheritance. It humanises the leader, reminding us that strength often comes from empathy.

4. Raavana Mavandaa (1:47)

Lyricist: Vivek
Vocals: Anirudh Ravichander

Short, sharp, and intense, this track is pure confrontation. With mythological undertones and aggressive sound design, Raavana Mavandaa functions almost like a warning rather than a song.

Clocking in under two minutes, it leaves a strong impact, underlining the film’s conflict and ideological opposition. Minimal length, maximum intent.

Background Score – Power in Restraint

Beyond the songs, the background score plays a crucial role. It avoids constant elevation and instead rises selectively – during moments of resolve, silence, and transformation. This restraint gives Jana Nayagam its mature, grounded sonic identity.

Fan Emotions – Celebration with a Lump in the Throat

For generations of fans, Vijay films have been rituals – first-day shows, cut-outs, milk abhishekams, and whistle-worthy moments. Jana Nayagam brings all of that, but with a sense of finality.

It’s a celebration, yes, but also a goodbye.

Many fans see the film as:

• A tribute to Vijay’s cinematic journey
• A reminder of why he became Thalapathy
• A promise that his connection with the people isn’t ending – just evolving

Legacy Beyond the Screen

Whether Jana Nayagam is remembered for its dialogues, performances, or political undertones, its true legacy lies in what it represents. Vijay leaves the cinema not at a decline, but at his peak, choosing purpose over comfort.

Few stars have done that.

Final Thoughts

Jana Nayagam is not about one character – it’s about belief, responsibility, and the power of influence. As the curtains slowly close on Vijay the actor, they rise on Vijay the leader.

And if this truly is his final film, it couldn’t have a more fitting name.

Thalapathy exits the cinema. not as a hero… but as Jana Nayagan.

Thalapathy Vijay is not just a superstar on screen; his songs have become cultural moments that define eras, trends, and emotions for millions of fans. From mass kuthu numbers to soulful melodies, Vijay’s filmography is packed with songs that continue to rule playlists, dance floors, and stadium speakers. Here’s a curated list of the Top 10 Vijay Songs that truly stand out, considering popularity, impact, and musical brilliance.

1. Vaathi Coming – Master (2021)

Composer: Anirudh Ravichander

A phenomenon more than just a song. “Vaathi Coming” redefined mass celebrations with its raw beats, minimal lyrics, and iconic hook step. It became a global viral sensation and cemented Vijay and Anirudh as a deadly combo.

Bollypiano link to Master movie sheet music – https://bollypiano.com/?s=master+&post_type=product&dgwt_wcas=1

2. Aalaporan Thamizhan – Mersal (2017)

Composer: A.R. Rahman

A powerful tribute to Tamil pride, culture, and identity. With electrifying vocals and folk-rooted orchestration, this song gave goosebumps and turned into an anthem at public events and celebrations.

Bollypiano link to Master movie sheet music –  https://bollypiano.com/product/alaporaan-thamizhan-easy-solo-sheet/

3. Arabic Kuthu (Halamithi Habibo) – Beast (2022)

Composer: Anirudh Ravichander

Quirky, fun, and irresistibly catchy. This song broke language barriers and dominated reels, weddings, and parties. Vijay’s effortless swag made it even more addictive.

Bollypiano link to Master movie sheet music –  https://bollypiano.com/product-tag/arabic-kuthu-halamithi-habibo/

4. Selfie Pulla – Kaththi (2014)

Composer: Anirudh Ravichander

A youthful, celebratory track that showcased Vijay’s playful side. Its catchy tune and mass appeal made it a chartbuster, especially among younger audiences.

Bollypiano link to Master movie sheet music –  https://bollypiano.com/product/selfie-pulla-melody-sheet/

5. Appadi Podu – Ghilli (2004)

Composer: Vidyasagar

An evergreen classic that still sets dance floors on fire. Vijay and Trisha’s energy, combined with folk beats, turned this into one of Tamil cinema’s most iconic dance numbers.

6. Google Google – Thuppakki (2012)

Composer: Harris Jayaraj

A stylish, peppy number that perfectly matched Vijay’s suave army officer avatar. With its catchy rhythm and modern sound, this song became a youth anthem and a visual treat.

7. Kutti Story – Master (2021)

Composer: Anirudh Ravichander

A breezy, motivational number with subtle philosophy. Vijay’s calm delivery and simple choreography made it relatable and widely shared.

Bollypiano link to Kutti story sheet music –   https://bollypiano.com/product/kutti-story-easy-solo-sheet/

8. Ranjithame – Varisu (2023)

Composer: Thaman S

A colourful, festive number that brought back the celebratory family vibe Vijay films are loved for. Grand visuals and energetic folk elements made it a chart-topper.

Bollypiano link to Varisu movie sheet music – https://bollypiano.com/product-tag/jimikki-ponnu/

9. En Jeevan – Theri (2016)

Composer: G.V. Prakash Kumar

A soulful romantic melody that showcased Vijay’s softer, emotional side. The song remains a favourite for its heartfelt lyrics and soothing composition.

Bollypiano link to Master movie sheet music – https://bollypiano.com/product-tag/en-jeevan/

10. Badass – Leo (2023)

Composer: Anirudh Ravichander

Dark, intense, and stylish, this song perfectly matched the raw tone of Leo. It reintroduced Vijay in a fierce avatar and became an instant fan favourite.

Honorable Mentions

• Pokkiri Pongal – Pokkiri
• Oru Chinna Thamarai – Vettaikaaran

Final Thoughts

Vijay’s songs are more than just musical numbers; they are emotions, celebrations, and statements. Whether it’s a mass intro song, a romantic melody, or a socially charged anthem, Vijay’s music continues to evolve while staying deeply connected to his fans.

In Indian music, percussion is more than rhythm; it’s voice, expression, and even storytelling. Some percussion masters have elevated this tradition into a global language, earning international laurels and reshaping how the world hears Indian classical and fusion rhythms. Below are four such maestros whose artistry, innovation and cross-genre collaborations have left a deep imprint.

Zakir Hussain, The Tabla Maestro with Global Reach

Zakir Hussain is arguably the most celebrated tabla virtuoso of our generation. His mastery over rhythm, improvisation, and tonal clarity transformed the tabla from classical accompaniment to a lead voice in global fusion music.

• In 2024, he made history by becoming the first Indian musician to win three Grammy Awards in a single night for Best Global Music Album (with his band Shakti), Best Global Music Performance, and Best Contemporary Instrumental Album.
  
• Over his six-decade career, he elevated tabla from classical concerts to global stages, collaborating with jazz, world-music, and Western classical artists, proving Indian percussion’s versatility and universal appeal.
  

His legacy shows how a traditional instrument can transcend cultural boundaries and speak a worldwide rhythm language.

T.H. Vinayakram (“Vikku”)  The Ghatam Icon Who Bagged a Grammy

Known affectionately as “Vikku,” T.H. Vinayakram is a legendary ghatam exponent transforming a simple clay pot into an instrument capable of profound tonal and rhythmic expression.

• He was part of the pioneering world-fusion group Shakti. As a member of the ensemble behind the album Planet Drum (with Western percussion legend Mickey Hart), he became one of the first South-Indian percussionists to win a Grammy (Best World Music Album, 1992) for his ghatam work.
  
• With his pioneering style, he popularised ghatam beyond Carnatic circles, showing that even clay-pot percussion could groove, pulse, and shine on global fusion platforms.
  

Vikku’s journey is a testament to how roots instruments, even humble ones, can gain global reverence when played with innovation and soul.

Umayalpuram K. Sivaraman  The Mridangam Maestro Bridging Tradition & Innovation

Umayalpuram K. Sivaraman is a legend of the mridangam, the principal percussion instrument of South Indian (Carnatic) music. His technique, rhythmic command, and improvisational depth have made him a stalwart among classical percussionists.

In classical concerts and collaborative projects alike, Sivaraman demonstrates how mridangam, deeply traditional and rhythmically rich, can blend with other musical idioms. His work continues to inspire generations of percussionists and composers who view rhythm not just as support, but as a core musical voice.

Sivamani  The Eclectic Percussionist & Global Collaborator

Sivamani is a distinctive percussionist known for his extraordinary versatility and unpredictable rhythmic experimentations. Unlike just classical purists, he traverses genres from Indian film and fusion to world-music projects and experimental collaborations.

Though Sivamani’s formal global-award tally may not mirror that of a Grammy-winning tabla or ghatam legend, his influence lies in spreading percussion across genres, media, and contexts. His career is a living example of how Indian percussion can evolve, absorbing global rhythms while staying rooted in homegrown sensibilities.

Why Their Global Recognition Matters

• Their international awards and collaborations prove that Indian percussion is not just regional or classical, it’s universal.
  
• By winning Grammys and collaborating globally, they opened doors for percussion instruments (tabla, ghatam, mridangam, hybrid percussion) in jazz, world music, fusion, and global concert circuits.
  
• For upcoming musicians (you included), they set a precedent: respecting tradition and embracing experimentation can lead to global recognition.
  
• Their journeys show that percussion, often seen as accompaniment, can become a lead voice, guide a composition’s emotional arc, and even define a cross-cultural musical identity.
  

Indian music is as diverse as its landscapes, languages, and traditions. Beyond the glitter of film music and the grandeur of classical concerts, there exists a vibrant, rich world of folk instruments, each carrying centuries of culture, storytelling, and craftsmanship. These instruments are not just tools for sound; they are living artefacts, shaping and reflecting the identity of communities across the subcontinent.

In this blog, we explore some of the most fascinating Indian folk instruments from the majestic nadaswaram to the humble ghatam, their history, playing techniques, tonal qualities, and their surprising presence in modern recordings and fusion projects.

1. Nadaswaram – The Soul of South Indian Celebrations

Often called the “South Indian Shawm”, the nadaswaram is a double-reed wind instrument traditionally associated with temples, weddings, and festive occasions. Its piercing yet melodious tone can carry over large open-air spaces, making it a quintessential feature of South Indian rituals.

History & Technique: Believed to be centuries old, the nadaswaram is crafted from wood, often sandalwood, with metal keys for fine-tuning. It requires tremendous breath control and embouchure precision. The fingering and modulation of notes allow performers to deliver intricate gamakas (ornamentations) typical of Carnatic music.

Modern Presence: Beyond temples and traditional functions, the nadaswaram has found a place in fusion albums and film music. Contemporary composers layer its evocative sound with strings, keyboards, and electronic beats, bringing a festive yet soulful texture to global audiences.

2. Sarangi – The Voice of Emotion

The sarangi is a bowed string instrument from North India, revered for its ability to mimic the human voice. Its emotive, haunting tones have made it a favourite for ghazals, folk songs, and classical accompaniment.

History & Technique: Traditionally carved from a single block of wood with gut strings, the sarangi’s bowing technique is intricate, requiring mastery over subtle pressure and angle to produce the desired vibrato and microtonal nuances. Its fretless fingerboard allows sliding between notes, giving it a voice-like expressiveness.

Modern Presence: Sarangi is increasingly featured in indie, fusion, and world music projects. Composers experiment with layering their melancholic tone over electronic synths or percussive grooves, creating hauntingly beautiful soundscapes that resonate beyond traditional audiences.

3. Veena – The Timeless Plucked Elegance

The veena is a plucked string instrument, celebrated for its deep connection to South Indian classical music. It produces rich, resonant tones capable of conveying both serenity and grandeur.

History & Technique: With origins dating back to ancient scriptures, the veena is crafted from jackwood and features 24 frets with multiple sympathetic strings. Playing requires dexterous plucking of the main strings while simultaneously managing drone and sympathetic strings, allowing for intricate melodic and harmonic layers.

Modern Presence: The veena has transcended its temple and concert hall roots, appearing in fusion albums, cinematic scores, and even experimental electronic music, where its unique timbre adds warmth and authenticity to compositions.

4. Ghatam – Clay Meets Rhythm

The ghatam is a clay pot percussion instrument from South India, known for its earthy, metallic resonance. Despite its simple appearance, it is capable of a wide range of tonal variation, producing crisp, deep, and melodic percussion sounds.

History & Technique: Traditionally made from clay mixed with iron filings, the ghatam is played with fingers, palms, and heels of the hands. Skilled players can create rhythmic patterns as intricate as those of mridangam or tabla, adding complex texture to Carnatic ensembles.

Modern Presence: Ghatam is increasingly featured in fusion and world music. Its organic sound blends beautifully with drum kits, bass, and digital production, giving recordings a grounded, acoustic depth that contrasts with synthesised textures.

5. Dholak – The Heartbeat of Folk Music

The dholak is a two-headed hand drum that forms the backbone of folk music across India, from weddings in North India to festive bhajans in rural Maharashtra. Its lively rhythms infuse energy into performances and dances.

History & Technique: Traditionally made with wood and goat skin, the dholak is played with both hands, producing bass tones from one head and treble tones from the other. Its versatility allows accompaniment for songs, storytelling, and dance, often improvising patterns on the fly.

Modern Presence: Beyond folk ensembles, the dholak has found its way into Bollywood tracks, indie fusion, and experimental collaborations. Its warm, percussive character adds vibrancy to acoustic and electronic productions alike.

6. Lesser-Known Regional Instruments Worth Exploring

India’s folk instrument landscape is vast. From the algoza (double flute from Punjab) to the ektara (single-stringed drone from Bengal), ravanhatta (Rajasthan’s bowed folk instrument) to khartal (clappers from Gujarat and Maharashtra), each instrument carries a unique tonal and rhythmic identity. Modern musicians and fusion composers increasingly incorporate these sounds, blending them with Western harmonies and digital textures to create fresh sonic experiences.

Why Indian Folk Instruments Still Matter

These instruments are not relics; they are living voices of culture, storytelling, and emotion. They inspire contemporary composers, musicians, and sound designers by:

• Adding authenticity: Folk instruments bring a distinctive tonal colour that can’t be replicated digitally.
  
• Encouraging innovation: Combining traditional timbres with modern production opens new creative possibilities.
  
• Preserving heritage: Documenting and using these instruments in recordings and live performances helps sustain their cultural legacy.
  

The Modern Renaissance of Folk Instruments

Today, Indian folk instruments are no longer confined to villages or traditional settings. Artists experiment with fusion, electronic music, film scores, and world music, giving them global visibility. From soulful solos to rhythmic undercurrents in a cinematic scene, each instrument’s secret life is being rediscovered, celebrated, and transformed.

For musicians and music lovers alike, exploring these instruments offers not just technical insight but a journey through India’s cultural and emotional landscapes, connecting the past with the present in a symphony of sound.

How Geography, Culture, and Community Shape India’s Non-Film Soundscape

Indian music is not defined purely by film soundtracks or commercial trends. Across the country, entire cities breathe their own musical identities shaped by history, classical traditions, indie cultures, audiences, festivals, academics, and the local artistic temperament.
From the intellectual depth of Kolkata to the experimental pulse of Bangalore, from Chennai’s classical rigour to Mumbai’s urban eclecticism, every city carries a distinct sonic fingerprint.

This blog explores six major cities whose non-film music culture plays a powerful role in shaping India’s sound today: Chennai, Bangalore, Delhi, Mumbai, Kolkata and  Pune

Chennai

The Classical Capital Where Tradition Defines the Future

Chennai’s identity is inseparable from the world of Carnatic music.
The city is home to centuries-old sabhas, legendary lineages, and a culture that treats music with reverence and discipline. Students travel from across the world to learn under masters of vocal, violin, veena, mridangam, kanjira, and flute.

The December–January Margazhi season transforms Chennai into a cultural universe of its own. Thousands of concerts unfold across Mylapore and T Nagar, with morning kutcheris, evening prime recitals, and lecture-demonstrations. This festival represents not just performance but scholarship, devotion, and legacy.

Yet beneath this classical structure exists a quieter modern movement. Young musicians experiment with Carnatic fusion, contemporary instrumental compositions, and acoustic indie projects. Chennai today balances tradition with innovation, making it one of India’s most influential non-film music ecosystems.

Bangalore

India’s Experimental Lab for New Sound

Bangalore’s musical character is defined by openness.
Unlike cities driven by tradition or commerce, Bangalore nurtures experimentation. Its audiences are willing to listen, explore, and encourage risk-taking, which attracts musicians working with electronic music, jazz, world fusion, ambient textures, and original songwriting.

The city’s live venues contribute significantly to this culture. Spaces like Windmills Craftworks, The Blue Room, and intimate creative cafés give performers freedom to experiment with new arrangements and original material. The city’s indie community thrives on collaborationsongwriters working with jazz drummers, Carnatic violinists collaborating with electronic producers, and rock musicians composing for experimental theatre.

Bangalore’s sound is forward-leaning, fluid, and constantly evolving. It is one of the most exciting cities for contemporary non-film musicians in India.

Delhi

A City of Contrasts: From Classical Purism to Cosmopolitan Indie Energy

Delhi carries two parallel musical identities.
On one side lies a deeply rooted classical tradition, with strong links to Hindustani gharanas, classical dance institutions, and a culture of baithaks and intimate performances. On the other side exists a thriving urban indie scene, powered by cafés, creative districts, university culture, and multi-genre festivals.

The Piano Man Jazz Club has become one of the most important musical institutions in the country. It nurtures jazz, original songwriting, and high-level musicianship, and has helped shape Delhi into a city that respects both composition and improvisation.

Delhi’s diverse population brings influences from Punjab, Rajasthan, Uttar Pradesh, and the Northeast, giving the city a multi-dimensional soundscape that blends classical purity with cosmopolitan boldness.

Mumbai

The Urban Melting Pot of Indie, Jazz, and Global Fusion

Mumbai’s non-film music scene is built on diversity.
The city welcomes every genreindie folk, alt-rock, jazz, R&B, electronic music, and global fusionallowing artists to express themselves without being boxed into a single identity.

Mumbai’s long relationship with jazz sets it apart. Piano trios, brass players, and improvisation-driven ensembles create a vibrant scene that dates back to the early nightclub era. This jazz foundation naturally blends with the city’s indie and alternative communities.

Marathi folk and theatre traditions influence many of Mumbai’s contemporary composers. Urban electronic music, live-looping performers, and producers add a modern edge, making Mumbai one of India’s most eclectic sonic hubs.

Mumbai never imposes a genre; it absorbs and reshapes everything. Its musicians thrive in a culture that encourages individuality and storytelling.

Kolkata

The Intellectual and Poetic Capital of Indian Music

Kolkata’s musical identity is steeped in depth, literature, and emotional sincerity.
The city values thoughtful songwriting, classical nuance, and cultural introspection. Hindustani classical music occupies a central role, supported by generations of musicians and discerning listeners.

Rabindra Sangeet gives Kolkata a unique artistic DNA. Its literary, melodic, and philosophical richness influences almost every musical form within the cityfrom contemporary acoustic music to orchestral arrangements.

Kolkata’s folk traditions, especially Baul music, add a spiritual and poetic dimension to modern fusion. At the same time, a growing indie circle explores jazz, experimental styles, minimalist writing, and small ensemble performance.

Kolkata remains a haven for musicians who prioritise meaning, craftsmanship, and emotional truth.

Pune

Where Classical Heritage Meets Youthful Indie Spirit

Pune’s music scene blends rigorous classical grounding with youthful creative energy.
The city has a strong Hindustani classical foundation, supported by gharanas, cultural institutions, and knowledgeable listeners. However, its student population fuels a vibrant indie ecosystem.

Acoustic singer-songwriters, college bands, multilingual composers, and open-mic regulars form the backbone of Pune’s non-film scene. The city also has a strong connection to theatre, influencing musical storytelling and composition style.

Marathi folk traditions appear frequently in fusion projects, giving Pune’s independent music an earthy, regional identity. Together, these elements create a balanced environment that is both disciplined and explorative.

Conclusion

India’s musical identity is not defined by one tradition or one industry. It is shaped by its cities with its own cultural rhythm, audience personality, and artistic history.

•  Chennai carries discipline and classical devotion.
•  Bangalore thrives on experimentation.
•  Delhi blends classical purity with cosmopolitan flair.
•  Mumbai celebrates diversity and global influence.
•  Kolkata nurtures intellectual, poetic musicality.
•  Pune balances classical heritage with youthful innovation.

2025 has turned out to be a golden year for Hindi music lovers. From big-screen romantic ballads to high-energy mass numbers and emotionally driven melodies, Bollywood truly delivered a diverse musical palette. Whether it was love, nostalgia, heartbreak, or celebration, every mood found its perfect soundtrack this year.

With massive streaming numbers, chart dominance, and viral social media traction, these songs ruled playlists, theatre experiences, radio charts, and hearts alike. Let’s revisit the Top 10 Commercial Hit Hindi Songs of 2025 that made the year musically unforgettable.

1. Aavan Jaavan – War 2

Composer: Pritam
Singers: Arijit Singh, Nikhita Gandhi
Lyricist: Amitabh Bhattacharya

Aavan Jaavan became one of 2025’s most-talked-about romantic tracks with its warm melodies and scenic visuals. The song seamlessly blends cinematic grandeur with heartfelt vocals from Arijit Singh and Nikhita Gandhi, while Amitabh Bhattacharya’s lyrics lend it an emotional depth that resonates with audiences. 

Bollypiano link to the sheet music – https://bollypiano.com/product/aavan-jaavan-melody-sheet/

2. Saiyaara – Saiyaara

Composers: Faheem Abdullah, Tanishk Bagchi & Arslan Nizami
Singer: Faheem Abdullah
Lyricist: Irshad Kamil

The title track Saiyaara stood out as one of 2025’s biggest hits, mastering streaming charts and fan playlists alike. Its melodic arrangement and evocative lyrics gave it emotional heft, helping it become one of the year’s most memorable songs. 

Bollypiano link to the sheet music – https://bollypiano.com/product-tag/saiyaara/

 3. Dhun – Saiyaara

Composer & Lyricist: Mithoon
Singer: Arijit Singh

Dhun delivered pure melodic bliss, showcasing Mithoon’s signature style of deep emotional resonance. Sung by Arijit Singh, the song’s heartfelt delivery and rich composition made it a favourite for playlists and personal listening alike. 

Bollypiano link to the sheet music – https://bollypiano.com/product-tag/dhun/

4. Zamaana Lage – Metro…In Dino

Composer: Pritam
Singers: Arijit Singh, Shashwat Singh
Lyricists: Qaisar Ul Jafri & Sandeep Shrivastava

A modern ghazal-inspired love song, Zamaana Lage, combined classical poetry with contemporary production. Arijit Singh and Shashwat Singh’s vocals elevate the emotional texture, while the thoughtful lyrics create a nostalgic yet fresh listening experience. 

5. Jaane Tu – Chhaava

Composer:  A.R. Rahman
Singer: Arijit Singh
Lyricist: Irshad Kamil

Jaane Tu emerged as a soft romantic favourite of the year. With its soothing tune and emotional chorus, the track became a go-to for listeners seeking heartfelt melody and nostalgia.

Bollypiano link to the sheet music – https://bollypiano.com/product/jaane-tu-solo-sheet/

6. Tu Hain Toh Main Hoon – Sky Force

Composer: Tanishk Bagchi
Singers: Arijit Singh, Afsana Khan
Lyricist: Irshad Kamil

An uplifting romantic anthem, Tu Hain Toh Main Hoon brought joy and warmth to listeners throughout the year. Its sweeping arrangement and expressive singing by Arijit Singh and Afsana Khan made it a standout hit.

7. Pardesiya – Param Sundari

Composer: Sachin-Jigar
Singer: Sonu Nigam, Krishnakali Saha & Sachin-Jigar
Lyricist: Amitabh Bhattacharya 

A vibrant and foot-tapping track, Pardesiya became a mass favourite for its catchy rhythm and danceable groove. The song’s classic romantic feel and high recall value helped it trend across platforms. 

Bollypiano link to the sheet music – https://bollypiano.com/product-tag/pardesiya/

8. Uyi Amma – Azaad

Composer: Amit Trivedi
Singer: Madhubanti Bagchi
Lyricist: Amitabh Bhattacharya

Uyi Amma lit up audiences with its bright energy and infectious beats. With dynamic vocals and compelling writing, the song quickly became a crowd-pleaser and a go-to for high-energy playlists. 

Bollypiano link to the sheet music – https://bollypiano.com/product/uyi-amma-melody-sheet/

9. Barbaad – Saiyaara

Composer & Lyricist: The Rish (Rishabh Kant)
Singer: Jubin Nautiyal

A memorable romantic track from the Saiyaara soundtrack, Barbaad stood out for its expressive vocals and heartfelt storytelling. Jubin Nautiyal’s performance brought emotional depth to the composition. 

Bollypiano link to the sheet music – https://bollypiano.com/product-tag/barbaad/

10. Bombay Dreams – Divine ft. Raja Kumari

Composer & Producer: Divine & team (hip-hop production)
Singers: Divine, Raja Kumari
Lyricists: Divine, Raja Kumari

Representing the urban hip-hop wave of 2025, Bombay Dreams became an anthem of raw energy and attitude. Its edgy beat, sharp lyrics, and cultural edge helped it resonate with a younger audience and stand out among film songs. 

Why These Songs Ruled 2025

✔ A blend of cinematic storytelling and commercial appeal
✔ Songs that dominated streaming charts and playlists
✔ Strong emotional resonance and viral social reach
✔ Diversity – from melody ballads to urban hip-hop

2025 wasn’t just another year of Bollywood music – it was a year where songs genuinely lived with people. These tracks didn’t just play in the background; they became emotions, memories, and companions to millions. Romantic songs like Saiyaara, Barbaad, and Aavan Jaavan reminded listeners of love and longing, while energetic numbers like Uyi Amma and Bombay Dreams brought excitement, swagger, and celebration into everyday life.

What makes this year truly special is the versatility of sound – soulful melodies, powerful vocals, meaningful lyrics, modern production, and refreshing creativity all came together to shape a musically rich year. Whether you’re a die-hard Bollywood music fan or a casual listener scrolling through your playlist, these songs ensured 2025 sounded beautiful, emotional, and unforgettable.

In a music industry largely ruled by standard meters (4/4, 3/4, 6/8), some composers dared to tread off‑beat: using 5/8 or 5/4  asymmetrical signatures that feel “wobbly,” edgy, and rhythmically sophisticated. For listeners accustomed to regular pulses, these songs stand out: they challenge expectations, add a subtle tension, and often linger in memory through their unique groove.

Here are  Indian film songs (mostly from Tamil cinema) often cited or believed to use 5/8 or 5/4, a mix of classics and underrated gems. Great as listening homework if you love rhythm or want to experiment with odd meters in your own music

Aawaz Deke  from the film Professor (1962)

Composer: Shankar–Jaikishan

This haunting melody delivered by legendary voices carries a subtle rhythmic fluidity and emotional weight. The song’s 5‑beat groove (often felt as a 5/4-like swing) gives it a gentle unease, making the listener slightly off‑balance, perfect for the romantic yearning mood of the lyrics. Its phrasing and melodic contours ride delicately over that underlying rhythm, creating a dreamy, longing atmosphere rather than a straightforward danceable track.

Azhagu Malar Aada  from Vaidehi Kathirunthal (1984)

Composer: Ilaiyaraaja

 Azhagu Malar Aada stands out for its evocative melody set against a backdrop that breaks the monotony of regular 4/4. The song’s rhythmic pulses, soft, slightly off-centre, give the melody a floating, almost ethereal feel. The blending of melody and subtle rhythmic shifts makes the listener hover between hope and longing: it’s not aggressively “odd‑meter,” but the delicate imbalance adds emotional texture and leaves a lingering resonance.

Mazhai Varudhu  from Raja Kaiya Vecha

Composer:  Ilaiyaraaja

Often cited by musicians and listeners as having an “odd‑meter feel,” Mazhai Varudhu uses rhythmic phrasing that teeters between comfort and tension. The melody slides in a way that makes you sway but never settle completely, a subtle rhythmic push‑and‑pull that works beautifully with romantic or pensive scenes. For those who listen with attention, the song becomes a study in maintaining melodic smoothness over a non‑standard rhythmic backbone.

Kalyana Malai  from Pudhu Pudhu Arthangal (1989)

Composer: Ilaiyaraaja

Within what seems like a mellow film melody lies a rhythmic structure that resists simple grounding. Kalyana Malai’s phrasing and flow hint at asymmetric timing, giving the song a gentle unrest, a kind of perpetual forward motion without repetition. The melody, with its cadences and pauses, complements the underlying rhythmic subtlety, making it a song that feels familiar and yet refreshingly unpredictable.

Partha Vizhii  from Guna

Composer: Ilaiyaraaja

Partha Vizhii stands as one of those songs where melody meets mood and rhythm in a way that amplifies emotional depth. The swing in the underlying beats, not rigidly 4-beat or 3-beat, gives the song a haunting quality. The melody flows languidly, with a sense of longing and melancholy that gains strength from subtle, uneven rhythmic pulses. It’s a good example of how film music can use non‑standard rhythm to evoke complex feelings.

Why These Songs 

• Emotional nuance through rhythm: The slightly off-centred beats create subtle tension or introspection, making the songs linger in memory.
  
• Melody + mood synergy: The composers fuse melody and rhythm so that both complement each other, enhancing the mood rather than just serving as background.
  
• Rhythmic experimentation: These songs show Indian film music’s potential for rhythmic innovation beyond standard 4/4 or 6/8, valuable inspiration for musicians and composers.
  
• Listening training: For musicians and music‑tech enthusiasts, these tracks are good material to practice, try to feel or map the rhythm, and understand how melody aligns (or floats) over irregular pulses.
  

Chennai, formerly Madras, has long been the beating heart of South Indian classical music. Every year, as the air grows cooler and jasmine begins to scent the streets, the city transforms hundreds of auditoriums, cultural halls, and heritage venues come alive with mornings and nights of Carnatic music, dance, and classical arts.

This tradition, often called the Madras Music Season or the Margazhi Season, has been going on for decades, attracting artists and music lovers from across India and the world. For anyone who cherishes music, especially those who appreciate classical and fusion contexts, attending Chennai’s Carnatic festivals is more than just a concert outing; it’s being part of a living, breathing classical legacy.

Major Carnatic Festivals & Sabha Events in Chennai

Here are some of the most prominent festivals and sabha events you shouldn’t miss if you plan a Carnatic pilgrimage to Chennai:

Chennaiyil Thiruvaiyaru

• When: Annually from December 18 to 25
  
• Where: Kamarajar Arangam, Teynampet, Chennai
  
• What to Expect: A week-long marathon of Carnatic and Hindustani concerts, instrumental and vocal performances, dance, and other classical arts. Over 500 artists participate each year, from seasoned performers to promising young talents.
  
• Why It Stands Out: This festival recreates the spirit of the traditional pilgrimage at Thiruvaiyaru in the city, offering music lovers a concentrated eight-day immersion in classical ambience.
  

Bharatiya Vidya Bhavan’s Margazhi Mahotsav

• When: Starts in late November as a prelude to the main season and runs until early December
  
• Where: Mylapore, Chennai
  
• What to Expect: Accessible concerts, often open to all music enthusiasts, featuring a mix of vocal, instrumental, and dance performances.
  
• Why It Stands Out: As one of the first festivals of the season, it sets the tone for what’s to come. Many performances are free or low-cost, making it ideal for both first-time listeners and seasoned connoisseurs.
  

Other Notable Sabha Festivals & Venues

The Chennai season is more than just one festival, it’s a constellation of sabhas and organisations, each hosting concerts, dance shows, and classical events. Notable sabhas include the Madras Music Academy, Krishna Gana Sabha, Bharat Kalachar, and several smaller venues that showcase both emerging and established talent.

A typical season includes morning kutcheris that are often more intimate and accessible, evening concerts featuring prominent artists, and dance or classical productions that complement the musical experience.

What Makes the Chennai Carnatic Season Special

• Diverse Art Forms Under One Roof: Carnatic vocal, instrumental, classical dance, thematic performances, devotional music, and lecture-demonstrations, the season celebrates broader classical arts beyond just concerts.
  
• Blend of Legend & Emerging Talent: Listeners can enjoy performances by maestros while discovering fresh voices and young talent, ensuring that tradition evolves while staying alive.
  
• Accessibility & Rituals: Many concerts are modestly priced or free, especially morning sessions. Light classical and devotional music during early hours creates a serene, immersive experience.
  
• Cultural Immersion: Neighbourhoods like Mylapore and T-Nagar transform into vibrant cultural hubs. Food, passes, sabha-hopping, and interaction with fellow music lovers add to the communal celebration of classical heritage.
  
• Ideal for Musicians & Creators: This is a rare opportunity to witness pure classical forms, draw inspiration, and gain insights that can influence fusion or contemporary projects.
  

Planning Your Chennai Carnatic Trip

• Timing: December–January is ideal for experiencing the peak of the music season. Pre-season concerts often begin in late November.
  
• Stay Near Cultural Hubs: Areas like Mylapore, T-Nagar, and Teynampet provide convenient access to multiple sabhas.
  
• Mix & Match Concerts: Attend morning kutcheris for serene ragas, evening prime concerts for grand performances, and perhaps a dance recital to experience the full spectrum of classical arts.
  
• Tickets & Passes: Early booking is recommended as popular concerts fill quickly. Season passes and day-tickets are available.
  
• Embrace Spontaneity: Small concerts or lesser-known artists often deliver delightful surprises and discoveries.
  
• For Musicians: Observe, absorb, and interact. The season offers a wealth of learning opportunities for those who love fusion and experimentation.
  

Why It Matters for Music Enthusiasts

For composers, performers, and learners:

• Immersion in classical vocabulary, ragas, tala cycles, and ornamentation enriches composing and performing skills.
  
• Exposure to pure classical forms of vocals, violin, flute, veena, and percussion can inform fusion, rock, world music, and film composition.
  
• Observing traditional pedagogy and performance practices offers unique insights.
  
• Networking with artists and maestros may lead to collaborative, educational, or creative projects.
  

Final Thoughts

Chennai’s Carnatic music festivals are not merely events; they are grand symphonies of tradition, devotion, artistry, and community. For a music lover, they offer a unique space to listen, learn, reflect, and create.

If you plan a trip during December–January, treat it as more than a holiday; consider it a “classical pilgrimage.” Explore multiple sabhas, soak in dawn ragas, feel the rhythm of the mridangam under high-ceiling halls, and let the music expand your creative horizons.

The Ultimate Musical Wave That Ruled Tamil Cinema This Year

2025 was a phenomenal year for Tamil music. From explosive mass numbers to soulful romantic melodies and viral dance anthems, Tamil cinema gifted music lovers songs that didn’t just top charts -they became emotions, trends, and cultural moments.
Here are the Top 10 Commercial Tamil Hits of 2025, complete with composers, singers, lyricists, and why they became iconic.

1. Monica –  Coolie

Composer: Anirudh Ravichander
Singers: Subhlashini, Anirudh Ravichander
Rap: Asal Kolaar
Lyricist: Vishnu Edavan

“Monica” is a pure adrenaline burst. Driven by Anirudh’s energetic sound design, folk-EDM fusion, and Asal Kolaar’s hype-rap, the song instantly turned into a social media beast. From reels to dance performances to crowd chants, Monica became the defining kuthu anthem of 2025.

2. Muththa Mazhai – Thug Life

Composer: A.R. Rahman
Singer: Dhee
Lyricist: Siva Ananth

“Muththa Mazhai” is musical poetry soaked in emotion. A.R. Rahman creates a soundscape that is haunting yet beautiful, while Dhee’s soulful voice leaves a lasting impact. This romantic melody gradually became a listener favourite, dominating playlists and becoming one of the most replayed tracks of the year.

Bollypiano link to the sheet music – https://bollypiano.com/product-tag/muththa-mazhai/

3. Jinguchaa – Thug Life

Composer: A.R. Rahman
Lyrics: Kamal Haasan
Singers: Vaishali Samant, Shakthisree Gopalan & Adithya RK

“Jinguchaa” is a celebration on beats. Kamal Haasan’s lyrics add cultural charm while Rahman blends festive percussion, joyous rhythm, and playful vocals. Whether in theatres, weddings, or street celebrations, this song became synonymous with happiness and festivity.

4. Pathikichu – Vidaamuyarchi

Composer: Anirudh Ravichander
Lyrics: Vishnu Edavan
Rap: Amogh Balaji
Vocals: Anirudh Ravichander & Yogi Sekar

“Pathikichu” is power personified. With raging percussion, electrifying musical tension, and fiery vocals, it turned into a rage anthem. The song’s motivational undertone, coupled with Anirudh’s raw vocal energy and Amogh Balaji’s rap punch, made it a massive fan favourite.

5. Kanimaa – Retro

Composer: Santhosh Narayanan
Lyrics: Vivek
Singer: Santhosh Narayanan & Ensemble

“Kanimaa” is groove, attitude, and swag rolled into one. Santhosh Narayanan blends folk roots with modern sonic textures, creating a foot-tapping track that instantly catches on. Its infectious rhythm ensured it ruled celebrations and playlists throughout the year.

6. Thangapoovey – Madhrasi

Composer: Anirudh Ravichander
Lyrics: Vivek
Vocals: Ravi G

“Thangapoovey” is delicate, emotional, and deeply heartfelt. A beautifully crafted romantic melody, the song wraps love in the softest musical layers. Ravi G’s soothing vocals and Vivek’s poetic lyrics elevate it into one of the most beautiful love songs of 2025.

7. Oorum Blood – Dude

Composer: Sai Abhyankar
Lyrics: Paal Dabba
Male Vocals: Sai Abhyankar
Rap: Paal Dabba
Female Vocals: Deepthi Suresh, Bhumi

“Oorum Blood” is raw mass fire. With its fierce tone, street-style rap energy, and bold musical punch, the song struck a chord especially with the youth. It didn’t just perform well—it exploded as a mass identity anthem of 2025.

8. Golden Sparrow – NEEK

Composer: G.V. Prakash Kumar
Lyrics: Arivu
Singers: Subhlashini, G.V. Prakash, Dhanush & Arivu

“Golden Sparrow” is charming, playful, and refreshingly melodic. GV Prakash delivers a catchy composition, Arivu adds lyrical brilliance, and the vocal lineup brings personality and life to the track. It became a feel-good commercial hit loved by all age groups.

9. Kannadi Poove – Retro

Composer: Santhosh Narayanan
Lyrics: Vivek
Singer: Santhosh Narayanan

If “Kanimaa” was energy, “Kannadi Poove” is soul. This romantic track is warm, nostalgic, and emotionally soothing. Santhosh Narayanan’s tender vocals and Vivek’s expressive lyrics make it a song that stays in the heart long after it ends.

10. Theekkoluthi – Bison

Composer: Nivas K Prasanna
Singer: Nivas K Prasanna
Lyrics: Mari Selvaraj

“Theekkoluthi” is explosive intensity. True to its title, the song is fire—driven by commanding vocals and emotionally charged lyrics. It powered its way into becoming one of the strongest mass hits of the year.

Why 2025 Tamil Music Stood Out

✔ Blend of mass + melody
✔ Massive theatre response
✔ Viral social media dominance
✔ Bold musical experimentation
✔ Emotional storytelling through music

From electrifying kuthu tracks to soul-melting melodies, 2025 will be remembered as a landmark year in Tamil cinema’s musical history.

Every December, the streets of South India, especially in Tamil Nadu, transform into vibrant corridors of music, devotion, and culture. Known as the Margazhi Season, this period marks a unique confluence of classical music, dance, and spiritual celebration, making it one of the most anticipated cultural festivals in the country.

What is Margazhi Season?

Margazhi, the Tamil month corresponding roughly to mid-December to mid-January, has long been considered auspicious. Traditionally, it’s a month of spiritual reflection, early morning prayers, and devotional music. Over decades, this spiritual ethos merged with artistic expression, giving rise to the Madras Music Season, a sprawling festival of Carnatic music, Bharatanatyam, and other classical arts.

Today, Margazhi Season isn’t just a city festival; it’s an immersive experience, attracting artists, enthusiasts, and tourists from across India and the globe.

Key Highlights of the Margazhi Season

1. Music Galore: Carnatic at its Core

The core of Margazhi Season is Carnatic music, featuring both vocal and instrumental performances. Renowned sabhas (cultural organisations) such as Madras Music Academy, Krishna Gana Sabha, and Bharatiya Vidya Bhavan host kutcheris (concerts) that span morning, afternoon, and evening.

• Morning concerts: Often devotional, intimate, and serene, perfect for early risers and spiritual seekers.
  
• Evening concerts: Grand performances by maestros, blending traditional compositions with improvisation.
  
• Instrumental nights: Violin, flute, veena, mridangam. Each performance showcases technical mastery and artistic depth.
  

2. Dance Extravaganza: Bharatanatyam and Beyond

Alongside music, dance takes centre stage. Bharatanatyam performances narrate epic stories through rhythm, expression, and movement, often accompanied by live Carnatic ensembles. Some sabhas also feature fusion or contemporary classical dance, bridging tradition and modernity.

3. Cultural Immersion & Networking

Margazhi is more than concerts; it’s a community of artists, connoisseurs, and students. It’s common to see impromptu jam sessions, lecture-demonstrations (lec-dems), and workshops. For musicians and enthusiasts alike, it’s an opportunity to learn, collaborate, and be inspired.

4. Historic & Iconic Venues

The season spans multiple venues, each with its own charm:

• Madras Music Academy, Chennai’s flagship venue, is home to major maestros.
  
• Bharatiya Vidya Bhavan, Mylapore known for accessible and early-season performances.
  
• Krishna Gana Sabha is a blend of music, dance, and lecture-demonstrations.
  
• Smaller sabhas, grassroots venues fostering young talent and experimental performances.
  

Why Margazhi Season is Special

1. A Cultural Marathon: Over 3–4 weeks, Chennai and surrounding cities become a living museum of classical arts.
   
2. Blend of Tradition and Innovation: While the foundation is centuries-old Carnatic tradition, artists often experiment with fusion, rhythm cycles, and thematic concerts.
   
3. Community & Devotion: The season retains its spiritual undertone, making every performance a ritual as much as an art.
   
4. Opportunities for Learning: Workshops, masterclasses, and jam sessions allow aspiring musicians and dancers to engage with legends and peers alike.
   

Experiencing Margazhi Season

• Plan Ahead: The season typically runs from mid-December to mid-January, with some pre-season concerts starting in late November.
  
• Mix & Match Venues: From grand sabhas to intimate auditoriums, explore multiple spaces to experience different styles.
  
• Early Mornings & Late Nights: Don’t miss morning kutcheris for serene devotional performances; evenings host the grand maestros.
  
• Cultural Etiquette: Respect the traditions, clap at appropriate times, avoid photography unless permitted, and absorb the performance mindfully.
  
• Food & Surroundings: Mylapore and T‑Nagar become hubs for art, music, and traditional South Indian cuisine, a full sensory experience.
  

Conclusion

The Margazhi Season is South India’s musical heartbeat, a unique period where tradition, devotion, and artistry converge. For musicians, enthusiasts, and travellers alike, it offers a rare chance to witness centuries of classical heritage in action, experience the rigour of Carnatic performances, and immerse oneself in a city that truly celebrates its cultural soul.

Whether you are a first-time listener or a seasoned rasika, Margazhi Season is not just a festival; it’s an awakening of the senses, a journey into rhythm, melody, and devotion.